The Athenaeum of Philadelphia • Autumn 2021
Nurturing Curiosity
outline
In 2021 I joined Catchafire, the US based volunteering platform. I was delighted to be matched with The Athenaeum of Philadelphia. The initial brief was to help The Athenaeum (founded in 1814) by providing consistency and coherence to their visual identity with a branding guide. To deliver any brand guidelines document effectively, both the client and designer need to fully understand the brand. So we set about crafting a few pieces of print collateral, then we were able to unlock the treasures that come together to represent The Athenaeum today. Photo below of The Athenaeum Reading Room.
CLIENT
The Athenaeum of Philadelphia, USA
scope
- Brand Development
- Brand Guidelines
- Bookmarks + Postcards
- Copywriting
- Season Guide Brochure
- Stationery Set
Challenge
Help this historic American institution promote its vision and values to reach a wider audience.
crest
The centre of The Athenaeum crest features the ancient Greek goddess Athena, who is associated with wisdom, handicraft, and warfare. As part of my research I visited the Temple of Athena (situated in Troy, Turkey), which dates from the 2nd century BC. Carefully refining the crest was the first step, to increasing the legibility of the brand – especially online and across its social channels. The resulting Athenaeum crest is cleaner and more flexible in its application.
Original crest
refined crest
Typography
Oswald Bold is used for Athenaeum headings and key brand information. Oswald is a reworking of the classic style historically represented by the ‘Alternate Gothic’ sans serif typefaces. The characters were initially re-drawn and reformed to better fit the pixel grid of standard digital screens.
Work Sans is a typeface family based loosely on early Grotesques, which was used for Athenaeum body copy. The Regular weight and others in the middle of the family are optimised for on-screen text usage at medium sizes and can also be used in print design.
“Jonathan helped us with a new branding guide and collateral to reflect the new brand. Highest quality, great communication. He is a gem.”
The grid structures used are based upon the geometric Italianate Revival style architecture.
“We loved his work so much that we have hired him for some other projects and look forward to continued work with him.”
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creative conversations
Discuss a new project
Working from either my Istanbul studio or back in the UK, Garlic provides clients with a full stack of graphic design services and ongoing support. Use the form below to request a virtual meeting or a WhatsApp call.
